Many thanks for all the useful feedback; I have recently revisited my 2019 revision of Ravel’s Mother Goose, making significant corrections and improving the layout. This fascinating exploration resulted inevitably to a new two-hand arrangement, which I believe will make an exceptional addition to the composer’s solo repertoire. There is extensive use of the sostenuto pedal and glissandos can be found in a wide range of dynamics. Le Jardin Féerique is an excellent study for the magical timing of arpeggiated chords. My favourite is no doubt Les Entretiens de la Belle et de la Bête, an eloquent waltz with unusual phrase lengths, indicated with dashed barlines; it also features a ravishing and pertinent coupling of the two themes.
Ravel often preferred the company of the young to that of adults and said : “Writing music to describe the poetry of childhood encouraged me to simplify my style and to refine my means of expression”. The contrast between Ma Mère l’Oye and Gaspard de la Nuit, from the same year 1908, is staggering, yet the fundamentals — melodic design, exquisite harmony and the evocation of enchantment — is evident in the two works.